MaxSax: Chords on the Saxophone

Main Goal: create a device to play chords on the saxophone.


Subgoal: create a version that costs less than $50 of parts. (soldering and assembly still necessary)

Overview of functionality

The MaxSax is a hardware/software D.I.Y. kit that will add a set of touch-sensitive copper sensors on top of your existing saxophone keys to send data through an Arduino-compatible microprocessor through a software program called Max/MSP into a DAW (such as Ableton) with MIDI to allow you to add chords to the moving roots (and thirds/fifths/sevenths!) of your live saxophone.

This is facilitated by using custom pedalboards to select the quality (major7 / minor7 / dominant7 / sus7 / half-diminished7 / augmented7 / minor-major7) and inversion (root / 1st /2nd/ 3rd) to allow you to create chording patterns live.

You may also switch Midi channels live too, allowing you to comp with a Rhodes, and then lay down a bass part, or drum part, or arpeggiate through some sawtooth or squarewave synths as you wish.

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Live show/demo

Similarities / Differences with other windsynths

The Synthophone:

The MaxSax device is similar to a Synthophone in that it will produce chords as determined by a musician using a MIDI-instrument that is based on the Saxophone fingering.

It differs from the Synthophone, in that the device rests on top of the keys of a traditional saxophone and doesn’t stop the “analog saxophone” from producing it’s classic true saxophone sound.

The Yamaha WX5:

The MaxSax device is similar to

The Akai EWI:

The MaxSax device is similar to

Timeline of Development:

2015: Creation of the MaxSax Chord function (used on a patch that sampled from Magnum, P.I. theme

2019: Jitter course added visuals

2022: Circuit Bending course: started to do physical computing, looking into Arduinos and creating circuit bent toys… which would lead to creating the physical sensors on the saxophone

2023: Live Performance for the Electronic Musician brought the idea of a physical device that turned a saxophone into a reactive chord to full consiousness… and the next 2+ years of R+D began to make that idea into a reality.